Showing posts with label War. Show all posts
Showing posts with label War. Show all posts

Sunday, February 22, 2026

Two Completed Shorts Categories

I saw the Live Action Shorts on Friday, and thought they were almost all really good, so I guessed that this year the Animated would be creepy or whatever, since in many years one or the other of those two sets of Shorts has been known to be a bit off the rails.  But then Saturday I saw the Animated Shorts and they were... also good?!

Live Action Shorts (in the order presented in the cinema program)
The Singers
A Friend of Dorothy 
Butcher's Stain
Two People Exchanging Saliva
Jane Austen's Period Drama 

Animated Shorts (in the order presented in cinema program) 
The Three Sisters 
Forevergreen
The Girl Who Cried Pearls 
Butterfly
Retirement Plan 


So not only do I not loathe any of this year's Best Picture nominees, but this year we're also safe from creepy what-the-hell- did-I- just- watch! shorts. So far. 

All right.  Do I have clear favorites? I just might have one or two. Of the Live Action Shorts: Butcher's Stain and  Two People Exchanging Saliva. I also think each of those has a chance to win.

I have read mixed reviews of Butcher's Stain  but really haven't agreed much with criticism I've read so far. It's hot topic political, as the Butcher in question is a (Palestinian?) Arab working in a grocery in Israel. But it's not really "about" that conflict per se, as much as it is about misunderstanding, judgment, betrayal, and how we're all struggling and lots of us are making others struggle. I think that after seeing it, when you look back you see how precise each moment was. In it, the personal is political, while in Two People Exchanging Saliva, the political (or societal) gets very, very personal. The minute I saw this mildly bodily-fluid-esque title on the Shortlist, I thought two things:  1. That's probably French (yes) and 2. I'm going to hate this, aren't I?  NOT AT ALL!  I loved it.  It is dark, moody, riveting, subversive, and exquisitely executed.  I think any voter would have to acknowledge that this is the best-crafted of the five nominees! I absolutely recommend it - and the less you know about it beforehand, the better.  I found myself thinking about it while brushing my teeth later that night. 

Of the three others, two were lovely and one is stupid. The Singers was lovely, and great in its simplicity that  really brings emotional complexity. It also makes you want to go hang out in the bar with these gruff, grizzled old guys for an evening!  It would be an honor - like this Short being nominated. A Friend of Dorothy I've heard getting some buzz for a possible win, which I think would be a mistake. Don't get me wrong, as it was sweet and also very well done, but a little predictable and the smarmy white grandson  is a caricature.  I did like that last lingering shot, though.  As for Jane Austen's Period Drama, I already knew it was stupid, as I watched it on Kanopy a few weeks ago. It is nothing more than a Saturday Night Live sketch with editing.  I could not believe I was watching an Oscar-nominated short. Ridiculous.

My favorite of the Animateds was Forevergreen.  Oh, I loved it so much.  There is a little sound the bear makes when first picked up by the tree that warmed my heart! Forevergreen is fun, humorous, and adorable, while also being profound, touching, and cautionary. It's an allegory and a joy. I want it to win! 

There are three others that I liked but don't necessarily want to win. Retirement Plan is great, and I wasn't the only one laughing out loud multiple times because it's delightful while also being starkly true, but it is kind of slight, really when you get down to it, as a cinematic endeavor. It's a bit like that world-renowned Baz Luhrmann song "Everybody's Free (To Wear Sunscreen)." The Girl Who Cried Pearls is the stop-motion one (right? See, I've learned a thing or two about animation Istilldon'tcareaboutit shhhhdon'ttellanybody.)  It also has a nice story with a good, solid ending and it's one I could see people voting for.  Butterfly is pretty and also packs a political punch, but also feels a bit slight compared to some others. 

But the real contender here could be The Three Sisters. This was absolutely glorious, fun, and low-key exhilarating to watch, while being not quite like any animation I've seen before. It looks like a camera holding a wide landscape shot, and the way the drawn characters move is so interesting. It's also funny and quirky and clever.  It only loses one little half-star for, you guessed it, bodily fluids. But I basically forgive it because it's wonderful. 

I don't think I'm going to give you my Order I Think They Will Win because I don't know  I am very busy and life is Short.  (See what I did there.) 

Thursday, February 27, 2025

Completed Category: Documentary Feature

My second-to-last completed category!  One more nominee to see after this. 

Documentary Feature Film
Black Box Diaries
No Other Land
Porcelain War
Soundtrack To A Coup d'Etat
Sugarcane

Let me just say, once again, that whether a documentary is interesting or good is not based on the topic.

 There can be an amazing documentary about a subject in which I have no interest that has me riveted. Or, the opposite: a topic I would love to know more about can be covered in a terrible documentary, making for an excruciating 2.5 hours, such as is the case with Soundtrack To A Coup d'Etat.  Holy cow is this a boring look at the mid-twentieth century tragic and murderous foreign policy of Belgium and the U.S., and political shenanigans in the Congo, up to and including the murder of Patrice Lumumba. I am deeply interested in this history! This documentary bored me immensely. Also, it was irritating. There's this whole jazz motif going on, and it drove me straight up a wall.  I really don't like jazz and I'm pretty sure that's related to how much I hate this film.  The film is constructed of various jazz music that is sometimes lyrically appropriate and sometimes relevant because the film at that time is talking about when Louis Armstrong or whoever traveled to Africa at that time -- so many layers, like a piece of jazz music, right?  Ugh. It was awful. There were actually close-ups of people singing where you could see their saliva - gross, shudder.  And the shots of Dizzy Gillespie's puffy cheeks gave me the fantods. Now, on the other hand, the frequent clips of Malcolm X talking were by far a highlight of this film - more of that, please. Less of everything else.  Side note: this is not solely about "We Didn't Start the Fire" (Belgians in the Congo!) but also a fair bit of Car 54 Where Are You?  (Khrushchev's due at Idlewild!) 

Anyway. Onto the four good documentaries! 

Black Box Diaries - haunting, stunning achievement, quite personal while being globally relevant, as one woman documents her pursuit of justice in the aftermath of a sexual assault. Why are men. 

No Other Land -  depressing, infuriating look at oppressively macho Israeli military posturing over a bit of land that they would like to forbid Palestinians to live on, for no discernible reason.  

Porcelain War - still more depressing stuff, with art and nature and beauty struggling to keep their heads above the mass of violent warfare that is the Russian invasion of and war in Ukraine.  

Sugarcane -  another personal depiction that meanders through major trauma and its effects years and decades later on the survivors of "Indian schools" in Canada as well as on their descendants. I really thought this was well done, with the weaving of one personal search for healing amid the wider community and even world search for healing related to this horrible bit of history. 

There is really only one that I can't bear to see win, but my order in which I'd like to see them win:  Sugarcane, Black Box Diaries, Porcelain War  (really, any of those three!), then No Other Land

Order in which I think they'll win: 
Maybe Porcelain War? Or Black Box Diaries.  I might like Sugarcane more than some other people do, but I did notice Lily Gladstone's name as an Executive Producer, which probably means she'll have  successfully campaigned it to some extent.  No Other Land probably won't work for some people. I don't know who votes for Soundtrack to a Coup d'Etat ... Steely Dan fans? Overwrought fever dreaming men? I don't know. 

Which documentary did you think was the best? 



Tuesday, February 25, 2025

Completed Category: International Feature

I greatly enjoy foreign films. One of my favorite categories! 

International Feature Film
Flow
Emilia Perez
The Seed of the Sacred Fig
I'm Still Here
The Girl With The Needle

This year? Not easy, my friends. 

There are four incredible cinematic accomplishments and one travesty of a nomination. I do not see how any member of this or any other Academy who watches all five of these could even consider voting for the abject mess that is Emilia Perez.

Flow is a sweet little cat film 🐈‍⬛️ and misfit friends story with no dialogue and lots of struggles and success, as we have mentioned elsewhere. Welcome to this party,  Latvia! If Flow loses both here and in Animated, I'll be devastated.

The Seed of the Sacred Fig is such a well-done look at Iran; it skillfully incorporates real-life videos of protests from recent years while placing you into this family's little world, then creating tension that sneaks up on you and builds to a fever pitch. 

I'm Still Here, also nominated for Actress in a Leading Role (Fernanda Torres) and freaking Best Picture is incredible - except that it depicts a true Brazil story - and I've not felt sadder in some time than I did after watching this loving family experience man-made tragedy. 

And then last night I watched The Girl With The Needle, which is a slow burn but then dear gods will it mess you up. There are so many questions to contemplate about these characters and their choices. What should we do, what can we do, why are men, why are humans, why any of it? Go see it knowing absolutely nothing! Other than: humans, poverty, Denmark, war, devastation, black and white -- the film, not life choices. But prepare for heart palpitations. 

Order I want them to win:  Any of the three, seriously. Maybe Seed of the Sacred Fig, I'm Still Here, The Girl With The Needle. Next Flow only because it better freaking be winning Animated. And then a giant huge gap bigger than sixty- four Grand Canyons, and then gtfo E.P.

Order I think they will win:
I'm Still Here maybe possibly please. Then stupid freaking E. Perez because humans are the worst. Then the others... although if the voters have the sense the gods gave a goose then they'll do the right thing here. Which is to say, do anything but the worst thing. 


Saturday, February 22, 2025

Completed Category: Costume Design

I actively like so much of what's going on this category! 

Costume Design
A Complete Unknown 
Conclave
Gladiator II
Nosferatu
Wicked

Look. I love Wicked. I love it, and I said when I watched it that I wanted it to win everything it's nominated for. And that's still mostly true, other than the fact that Ariana is category fraud supreme and I just can't even but the odds-on favorite Zoe is also fraudulent, and for a disaster of a film, so it might as well be Ariana, but anyway the point is yes I would be happy for wonderful, creative, gorgeous, inspiring Wicked to win for Costume Design. 

But. I would also be just fine, it turns out, with Gladiator II winning in this category. !  No seriously though, Emma the Cat and I just watched it this week during our little winter vacation ski trip and boy were we riveted. The costumes are so beautiful, and so detailed, and so MANY.  I was super into revisiting the Gladiator world and I think I kind of like sequels that leave 20 years in between more than every-couple-of-year sequels. There is so much delicious craziness in this flick, with Denzel, and the loony twin emperors, and a billion soldiers, and it's all exquisite. And this is the only nom that the film got. We might have to take this one away from Wicked, y'all. What do you say? 

I really don't think the others have a chance.  Conclave would if it was on its way to a sweep - remember, people really thought Conclave was going to be our Best Picture for a while - but that ship seems to have sailed.  The cardinals' get-ups are gorgeous and fit for each one of the characters specifically but it's still less of an Achievement in Costume Design than either Gladiator II  or  Wicked. 

Nosferatu might be able to pull this off just because it's so fanciful, unreal, and set long ago & far away.  (But then - so are Wicked  and Gladiator.) 

 A Complete Unknown  is honored to be nominated. The most recently set AND most relatable and realist  of the Costume nominees is almost never the winner. Conclave is more recent but isn't a period piece, and its world is removed from us regular folks (even us Newport Folk Festival-playing regular folks), but even it I think doesn't really have as much of a chance. 

Order I want them to win: 
Gladiator II, Wicked, Conclave, A Complete Unknown, Nosferatu 

Order I think they will win: 
Wicked, Gladiator II, Nosferatu, Conclave, A Complete Unknown 

Friday, February 23, 2024

Completed Category: Short Film (Animated)

 And now I'm done with all the Shorts!  Saw the Animateds yesterday. 


And guess what - regarding the question of which of this year's set of Shorts is clearly better or worse than another set of Shorts, I was actually good with all the Live Action and most of the Animated. And most of the Documentary Shorts. So basically, there was no omg-wtf set this year. 

That's not to say there weren't some heavy topics!  I'll keep my thoughts short, since the Shorts were short. (Which is how I like my Animation, by the way.) 

OUR UNIFORM:  I was into this and then it ended too abruptly.  It's a kind of meditation about how girls are forced to wear the hijab (nowadays) in Iran and at the beginning there was a disclaimer of no offense to anyone who chooses to wear hijab but that this was about the experience of being forced to wear it in a certain place. Eye roll. 

LETTER TO A PIG: This is a meditation on .. a lot of things. Including escaping death, but also war and pigs (not War Pigs though) and some other stuff.  I want to watch this again and maybe again and again. 
There was no disclaimer of no offense to anyone who has not hidden in a pig sty. 

PACHYDERME: This was creepy as f*ck. I do not want to watch it again and again. There was no disclaimer of no offense to anyone who had a positive experience in a house with an elephant tusk on display. 

NINETY-FIVE SENSES:  I did watch this one twice. (It's available online and I also saw the group of Shorts in the theatre.) I like this one a lot too. It is heavy. It is also about being alive in a way unlike anything I've ever seen before. It kinda sneaks up on you of how good it is.  There was no disclaimer of no offense to people who do not have five senses. 

WAR IS OVER! INSPIRED BY THE MUSIC OF JOHN & YOKO: It's about war.  I liked it a lot! I was thinking it was the best and might win until I walked out of the theatre and heard two people complaining that it was the worst of the five. What!? It was so good. War is bad. Chess and birds and cease-fires are good. There was no disclaimer of no offense to the wars that are not over. 

Order I want them to win:  top 3 might as well be a tie
Ninety-Five Senses
War Is Over! Inspired By the Music of John & Yoko
Letter To A Pig
then Our Uniform
then big gap then Pachyderme

Order I think they will win: 
I am pretty sure this category is one of my worst in terms of predictions? Sadly I don't keep stats so we'll never know but that is my impression. Once in a while I get it right. Hmmmmm... 
probably War Is Over! Inspired By the Music of John & Yoko? 
maybe Ninety-Five Senses? 
maybe Our Uniform? 
maybe Letter to a Pig  which was weird but I loved it
please not Pachyderme

Have you gone to see the Animated Shorts at your local cinema? 

There's also a Highly Commended but not nominated one that was kinda like The Shape of Water 🤣🐟 except about real fish - sort of.   Animators sure can do weird stuff! 










Monday, February 19, 2024

Completed Category: Makeup and Hairstyling

 Some years this category is weird and makes me watch something I would have actively avoided if not for the nomination. This year it has four nominees with nods in other categories including three Best Pic nominees and only one outlier. I watched the outlier last night. 


GOLDA: Right so, first of all I thought Helen Mirren was great. The scenes with Kissinger especially, but really the whole film. I understand there was some Controversy about her playing Golda Meir because Mirren is not Jewish. Anyway, the film held my interest throughout but then I mean I don't want to get into spoilers but I was sort of confused by the ending and thought I must have missed something I should have been paying closer attention to vis-a-vis the generals and spies and who had done what.  Ah, well. The makeup & hairstyling work was fantastic. Give it the prize! 

MAESTRO: Uh-oh, another Controversy! Anyway, this film was good, as I have noted elsewhere, and way more about his wife Felicia than I knew it was going to be, and there is more going on with the makeup & hairstyling of her character over the decades in the film than with him!  Also, 21 years ago I had to listen to all of everybody, up to and including Denzel Washington, who would not shut up about the prosthetic nose worn by Nicole Kidman in one of my top three all-time favorite films, The Hours, and as far as I am concerned, I don't owe anybody another second of my time listening to whining about prosthetic noses ever again for as long as the Oscars shall live.  I will be fine if this wins in this category, and maybe even more so if some whiners get mad about it. 

OPPENHEIMER: Is this going to sweep and thus win here too? Maybe. That would be the way for it to win this, though. 

POOR THINGS: If you haven't yet heard me say how excruciating of an experience watching this movie was, hi! Welcome!  Poor Things sucks. I actually hated Emma Stone's hair in this; it freaked me out. Not even remotely the thing I hated most about this, though! That said, the makeup job on Willem Dafoe was jaw-dropping. Possibly literally. If I let you give Poor Things this Oscar, could you pleeeeeease keep it to just this one?  No?  Ugh, do I really have to throw in Production Design?  Godz I just want this to go away. 

SOCIETY OF THE SNOW:  But this! This I want to sweep! But it's only nominated in two categories (should be in more - we're looking at you, Sound) and it's probably going to not win Foreign International so this might be its only chance and... that would be OK. It was great!

So you see my dilemma! The one I want most to win this category isn't the one I most want to win a prize that will probably need to win this category. 

Order I want them to win: 
Golda or Society of the Snow <tie>
Maestro
Poor Things
(ugh, grudgingly)
Oppenheimer

Order I think they will win: 
Poor Things (ugh ugh ugh ugh ugh) 
Oppenheimer  or Golda
Maestro 
Society of the Snow (sadly) 

But, I might be wrong! What do I know about makeup and hairstyling?! I can't be bothered to do either on a daily basis. 




Saturday, February 17, 2024

Completed Category: Production Design

I finished two categories by watching Napoleon - two categories with the exact same slate of five nominees!  One of them is Production Design. 

BARBIE: This is the first of these five films that I saw, and this is the category that I most want it to win. And none of these other four have surpassed it in my opinion. It took some toys we had all seen and most of us even held in our hands and made a magical, beautiful world - with compelling undertones. I think the movie as a whole is juuuuuuust a smidge overrated and its takedown of The Patriarchy is to say the very least incomplete, but hey - y'all beginners gotta start somewhere. While the film is flawed, the Production Design is not, at all. You truly believe you are traveling between these two worlds, and that this one really exists out there somewhere, giving you some instruction for how to think about your own world. It will be a travesty when Barbie loses this category. 

KILLERS OF THE FLOWER MOON: This has become a recurring theme here but Scorcese & Company did their jobs and their meticulous research so incredibly well, and created a world to tell us a haunting story, and I think it is a wonderful, scathing, entrancing film. However, in this category it is second place for me. I really don't want it to get shut out, so I won't be mad and throw things if it wins here. The degree of difficulty is more than you might think, with every little bit of house, business, outdoor, indoor, street, gathering, barber shop, car, explosion, you name it perfectly depicted. Strong strong silver medal.  Maybe we could have a tie? 

NAPOLEON: And this one, which I watched last night to complete the category, also did some visually marvelous work. With another incredible degree of difficulty. However, I understand that it also worked some magic with Visual Effects?  At any rate it was stunning, and somehow gorgeous when depicting bloody massacres, so hey - well done everybody.  I know this movie didn't work for a lot of people but I for one massively enjoyed batshit crazy Napoleon and Josephine, and all the other madness. It also made me nostalgic for when I read War and Peace. Mostly, I found it delightfully dark and amusing and weird and a totally solid entry here. 

OPPENHEIMER: Ya know, I recently went to Los Alamos. I've also been all around the Southwest, having grown up in Arizona, and been many times to New Mexico, but only the other year finally went to the actual weird little made-up town that still sits there in the middle of a gorgeous landscape where they unleashed hellish fury, terrifying and killing untold number of animals and plants, before moving on to kill hundreds of thousands of Japanese humans. You have to show i.d. to drive into the actual town. Anyway, I honestly loved the film Oppenheimer and I also honestly don't think this had the same degree of difficulty as several others in this category, but mostly I am going to have to say something here about the still-unanswered (as far as I can tell) 50-star flag thing. Much has been made of the use of USA flags with 50-stars in a climactic scene set when there were only 48 states. Some insist that director Christopher Nolan did it on purpose, with that scene in color being Oppenheimer's memory, envisioned  from 50-state 1963. I think those insisters are reaching. Some claim to have been extras in that scene and report (on the internet) that the flags were some cheap bulk props brought in, which would be such an astoundingly bonehead mistake that it's hard to believe -- but then again, look at the stupid things humans do on the regular, like destroy all the life they come across. Anyway, I know Oppenheimer is going to win something, but I'm scratching it from this category. 

POOR THINGS: I wish I could scratch Poor Things from existence. It doesn't get better any time I have to write about it as the weeks pass. However, I will say that this Production Design category is kinda like how I was for Editing with Everything Everywhere All At Once. Terrible, excruciating movie that I wish I had never had to sit through, but this one category was sure done well. And that, I fear, is why it will probably beat Barbie, much to my dismay. 

Order that I would like them to win: 
Barbie
Killers of the Flower Moon 
Poor Things
Napoleon
Oppenheimer


Order that I think they will win: 
Poor Things
Oppenheimer
Barbie
Killers of the Flower Moon 
Napoleon
 

Oh, how I want Academy voters to do the right thing

 



Sunday, January 28, 2024

Completed Category: Actor in a Supporting Role

 The other category that I had completed already when the Nominations were announced was Actor in a Supporting Role. 


Yes, having as my completed categories on Nomination Day both Lead Actress and Supporting Actor, I definitely had an informed reaction to the many people on the interwebs who had a lot to say about Barbie. But no need to get into that again here. Let's just examine the two important questions of: 1)Were these all in fact Supporting performances?  and  2)Who deserves to win? 

STERLING K. BROWN, American Fiction:  This was the most out-of-nowhere of the twenty Acting nominations, for me. I liked American Fiction! (I read Percival Everett's book it was based on.) I expected it to get several nominations. I did not expect this. Listening to people talk this week, I have decided that I don't have the same viewer relationship to Sterling K. Brown that a whole lot of y'all seem to have as I have never watched an episode of This Is Us. That alone can't explain it, though, can it?  The brother that he plays in American Fiction is kind of - a jerk. Then again, I am more like the main character in so many ways, and maybe that's why I dislike the brother's antics?  At any rate, I don't think Sterling K. Brown is going to win this. But what do I know, clearly.  Definitely a supporting role. 

ROBERT DE NIRO, Killers of the Flower Moon: Now, he might win.  He has seven previous nominations and two previous wins. We all know him. Sometimes he's serious as all get out, sometimes he's funny, sometimes his movies are meh. In this role he's basically the devil. A greedy, manipulative, ingratiating son-of-a, who hurts people in about forty-three different ways.  It's a great film and his presence on screen is a big part of the nasty happenings.  He has a good chance, I think.  Also it is in fact a supporting role. 

ROBERT DOWNEY JR., Oppenheimer:  But I think this Robert has way more of a chance. First of all, I think Oppenheimer is going to take home a bunch of awards, if no scandal happens between now and March 10th. And I'm fine with that, as it was a great film and an indictment of humanity. Robert D Jr. is a beast with about 17 different layers to his character. Totally transformed as an actor into this antagonist character, and in cast of what feels like thousands he stands out sharply.  Is it a Supporting role? Yes - and it almost doesn't feel like it. I read that he has 24 minutes of screen time. It feels like he has an hour and 24. 

RYAN GOSLING, Barbie: Can this feel-good performance steal enough votes from the serious stuff? I don't think so. Yes, everyone loves him, and yes it was indelible and now "I'm Just Ken" and the mojo dojo casa house etc. will be with us all forever, but I think - I think - it was all just for funsies. Plus now some people might feel guilty voting for him since they didn't nominate Margot, whoops!  Oh, humans. Definitely a supporting role, though he feels like a co-lead probably because he shows up constantly, and the Kens part goes on and on interminably.  Side note: We might get a live song performance from Ken(s) at the ceremony. 

MARK RUFFALO, Poor Things:  Ugh. I like Mark Ruffalo; I dislike Poor Things; I wish the other Supporting contender Willem Dafoe was nominated here for Poor Things instead.  I'd have nominated Dafoe over either Sterling K. Brown or Mark Ruffalo.  Yes, Mark was very good in this psychotic film. He's always very good in everything though. He's steady, solid. I put him in the middle of the pack here. Is it a Supporting performance?  Yes, all the men who variously control and use Bella (Emma Stone's) body are "Supporting" in orbit around her. 

And so, this is the order I want them to win, my preference: 
Robert Downey Jr. 
(tie) Ryan Gosling / Robert De Niro
Mark Ruffalo 
Sterling K. Brown

And that is essentially the order of likelihood of actual winning, I think, too.  It may be that my "preference" is more about me not caring too terribly much.  Fine category overall with one obvious oversight, and no super-duper other strong opinions from me. 

Which Supporting guy did you like best this year? 






Sunday, February 12, 2023

Salon Day

Completed Category: Makeup & Hairstyling 

I recently was on TV and on that occasion I got to have actual Los Angeles studio professionals touch my hair and makeup, for two seconds. I believe this is the first Awards Season in which I've had this recent, fresh perspective. This, of course, is of no actual consequence whatsoever to anything. On to the nominees! 

All Quiet on the Western Front * The Batman *  Black Panther: Wakanda Forever * Elvis * The Whale 

The other day I got around to watching Im Westen Nichts Neues which is German for not much is happening on the western front, and by the way I loved it, and since it got a whole lot of Oscar noms, this viewing let me chip away at eight more categories AND complete another one: Makeup and Hairstyling. 

I will say this. There is a pivotal moment in Im Westen Nichts Neues (aka AQotWF) where the makeup of caked up mud etc. on our protagonist's trench-war-weary face is really, really close up for a good long scene and it is haunt-your-nightmares memorable. That one scene, along with all the various blood and guts, could bring a Makeup win here. I think it would be well deserved. 

It's interesting that this category is mostly thought of as Makeup, when Hairstyling is clearly also right there in the name. I think that IWNN/AQotWF, The Batman, and The Whale had far less going on hair-wise than makeup-wise, whereas BP:WF and Elvis had notable hair. 

As I've mentioned, BP:Wakanda Forever was OK but loooong and boring, and I'm not sure that I would pick this category for it to win. It might get overlooked because it just did its Makeup/Hairstyling job well and that's that. The Batman, a much worse movie (in fact, in the bottom two of all nominees I've seen so far), had at least one superb makeup job (everyone's raving about the Penguin) but that movie was mostly about being dark and moody and brooding and dark (and terrible) and I don't predict a win here for it. 

What about The Whale? This is an interesting question of how a full-body prosthetic is "makeup."  It is, of course - but just interesting to think about. For example, how much daily work was it, how many touch-ups, versus building how many prosthetic bits in the first place? Also, the whole fat suit and the movie got some backlash because they are said to be one big fat-shaming mess, so I suspect that might lead some people to not vote for it. But, it's a secret ballot, so who knows? 

Elvis, on the other hand, is definitely going to get some proud votes including for the nominated Actor performance, and sometimes when the Makeup & Hairstyling is a big part of the actor's "transformation," people like to applaud both and talk incessantly about them throughout the Awards Season. Elvis could definitely take home this prize without much other thought being given to anything else. 

I, however,would probably vote for Austin Butler's actual acting performance. HE was great. It wasn't the makeup and hair. That said, this movie DID have a constant stream of shows and glitz and performances and aging and many people to make up and style over many decades, and I won't be mad if it wins this category.

If I were an Academy voter, I'd check the  Makeup & Hairstyling box for All Quiet Im Westen, because I can still see that soldier's face now, vividly. Not to mention various other bullet wounds, blood, guts, and human tragedy that we somehow will never, ever learn not to perpetuate. 



Sunday, July 12, 2015

Forties Flicks

I have recently closed a gap in my Oscar-film viewing experience, specifically, I have now watched all of the Oscar-winning Best Pictures from the 1940s. This should have long since been accomplished, but hey! Spilt milk! Now it has. (If only I weren't always getting distracted from my projects by other projects. So many projects I have! So many...)

Anyway, the 1940s winners are fun; they include, among other things, one of my favorite all-time films and one of my mom's favorite all-time films. But I will point out one not-as-fun thing, which is that after you have watched half a dozen of the flicks in a month period you start to get really sick of the opening credits, which all blend together. Laaa! Dramatic music! Black and white! Studio presents! This music sounds the same as the last three movies! Sweeping crescendo!  Ugh. Boring.A girl can hardly wait to get to a decade where someone makes a bold move in how to start a picture.

The 1940s Academy Award movies themselves, though, are a great bunch. Here's my ranking, from my favorite to my not-as-favorite:

Top Tier: Simply the best!
Casablanca (1943)
The Best Years of Our Lives (1946)

Next Tier: I still really like them and recognize greatness here.
Mrs. Miniver (1942)
Going My Way (1944)
Hamlet (1948)
Gentleman's Agreement (1947)

Third Tier: I can still order my third tier, unlike the U.S. News law school rankings
The Lost Weekend (1945) and Rebecca (1940)
All the King's Men (1949)
How Green Was My Valley (1941)

How does your ranking of these ten films compare?

Now for a few thoughts:

Casablanca is not just my top film of the 1940s but one of my top five of all time; it has been for years. It's astounding and I love it and if you watch it after being alive in the English-speaking world for any length of time you will probably recognize a billion quotes from it. Actually, Hamlet kind of has that going for it, too. Hamlet, naturally, is great, but Ophelia is super crazy and the film really does start to drag just a bit somewhere in Act III...

As for underrated gems, The Best Years of Our Lives and Gentleman's Agreement really should get more buzz than they do. They are so prescient, socially relevant, thoughtful, and still entertaining. Going My Way, on the other hand, IS more on people's radar, I think, what with the Bing Crosby factor and all, but I can't say that before I watched it as an adult I really knew much about it besides its star. It's full of neat little bits, though, and well worth a watch. Perhaps my favorite undiscovered gem is Mrs. Miniver. Whatever you're picturing when you hear that there's a film called Mrs. Miniver from the early 1940s is probably not at all accurate. Also, it had one of the best depictions of a non-native speaker trying to use the English language I've ever seen on film, and it features a most awesome cat.

About the others: I grew up watching or not really paying attention to Rebecca because my mom adores it but when I finally read the book and sat down to watch the film all the way through I was not as impressed as I'd hoped to be. (The book, especially, left me sorely disappointed; you just want to punch every character in the face. At least the movies has cool visual stuff going for it.) The Lost Weekend was all right; I actually didn't read that book of How Green Was My Valley, but I suspect both are better than their film versions. All the King's Men was. While I did feel plunged into the hot air of Louisiana and its politics, some of the performances were kind of cliche and the whole thing almost feels perfunctory.

Next up, I'll watch whatever I've missed/forgotten in the 1950s, my other weirdly gappy Oscar decade. 

Thursday, February 26, 2015

And the misplaced outrage goes to...

The 87th Academy Awards have come and gone, with few surprise winners and no triumph for Boyhood. Yes, I was in that camp: the one that was moved and impressed more by Richard Linklater's 12-years-of-filming look at the quiet moments of life than by Alejandro G.(onzález) Iñárritu's weird and flashy spectacle of actors, cinematography, and dark snark. Alas.

And you know, if Boyhood and Linklater had won then we wouldn't have been able to make Twitter explode with outrage over Sean Penn's "racist" joke, uttered after he opened the envelope while we all waited through a dramatic pause and his one-liner to find out the Best Picture of 2014. Oh, wait, what's that? It wasn't actually racist? Twitter would have found something else about which to explode in outrage instead? How right you are.

For those who live under a rock or, perhaps worse, didn't watch Sunday night's ceremony, Sean Penn saw that Birdman had won and that his buddy Iñárritu would be returning to the stage to collect another statuette having already been up there for his Screenplay and Director wins, and so before announcing the name of the picture, Penn quipped, "Who gave this son-of-a-bitch his green card?" 

Apparently, this "ruined the Oscars" for some people. (Um. Hello?) For others, it was a reminder that the Oscars are so white (I mean: #OscarsSoWhite. Who needs verbs?) that as soon as a Mexican gets an award, there's bound to be a green card joke. Never mind the fact that said joke specifically mocks this very offensive attitude, that attitude being "Who let in all these Mexicans?" where "in" is defined to mean "entering the space that was actually Mexico longer than it has been the United States but was taken by means of a coercive treaty of Guadalupe-Hidalgo and a ruthless, illegal war conducted by James K. Polk and company, from which the Bush-Cheney-Rumsfeld-Rice junta got all its best warmongering ideas."

Right, never mind all that. Time to Tweet. Among the Tweets were some questions as to whether Penn and Iñárritu are friends? They are. They give each other crap all the time. They made 21 Grams together. Iñárritu said Penn's joke was hilarious. He also went on to talk about Mexico, Mexicans and immigrants in his acceptance speech. But this curious "Yikes! I hope they're friends!" response signals to me how weirdly people seem to have lost the ability to read humorous social cues. I can't believe anyone actually thinks or thought that Sean Penn (or anyone -- but least of all Sean Penn) would really mean that green card statement without irony. Or thinks that an Oscar presenter would refer to someone they're not pals with as a "son-of-a-bitch" in that situation. Those would be weird moves even for a celebrity actor.

Now, was the joke necessary? Of course not. Why must these walking egos actors deliver a one-liner upon opening the envelope? I have never forgotten Denzel Washington's "By a nose!" instead of just saying that Nicole Kidman had won Best Actress for The Hours; at the end of a long awards season full of babble about her prosthetic nose that overlooked all the anguish, insight, and emotional nuance of her portrayal of Virginia Woolf, we had to have one more nose joke. What's the point? Why do you have to take one more second for yourself before handing out the award? Then again, why not? It's a big party, we're all here together, why not crack wise with your friends? In other words: is this all much ado about nothing? 

Was the joke funny? Clever? Reasonable minds could disagree.  I mean, first of all, partly no, in the sense that you don't even need a "green card" or to work in the United States to make a film, or be nominated for Best Picture. Like, Iñárritu could have been nominated in all those categories as a Mexican resident for making a film in Mexico, so it doesn't even matter. It's not like, say, Arnold Schwarzenegger governing the state of California. But also, there are layers to it. Gotta love a good joke with layers. The idea that there are authoritative bodies (governments, academies) that can bestow legitimacy on people and their work...the idea that others might resent that...the idea that you can have "too many" people from a certain place in another certain place... it might actually turn out to be more nuanced than it first appears. 

Or, you could just ignore it and move on with your disappointment that Boyhood didn't win Best Picture. It received only one award all night, Supporting Actress for Patricia Arquette, who ended her speech with a rousing call for wage equality and equal rights for women, which prompted Meryl Streep to shout "Yes!" and leap to her feet. And you thought that was going to be the political moment of the night! 

People pretend to like sarcasm -- they dutifully watch Jon Stewart and Stephen Colbert skewering the news and news makers -- but when someone actually does say something sarcastic they don't always know what to do with themselves. They do better if there are a lot of big flashing arrows saying "LOL here" and misusing "literally" to help them understand that someone is joking. 

People also pretend to like those who "say what they think."  Really, you hear that all the time in empty platitudes: "I really respect [PersonX]; s/he speaks her/his mind...says what s/he thinks..tells it like it is.." and so on. Until someone actually does that, and then it's all a horrified, "Wow, you're so opinionated." Or, my favorite, "Never discuss politics with friends."  What?  What kind of friendships do you have?

If you are really concerned about how "offensive" it was for Sean Penn to pretend he was indignant that Alejandro G. Iñárritu (who, yes, has officially approved the Anglicizing of how he uses his last name[s]) has a green card even though he doesn't need a green card to be nominated for or win Oscars, maybe you should take it up with your representatives in Congress who let the morass of idiocy that is U.S. immigration law persist in its unfair state year after year. Or maybe you should watch a previous Iñárritu nominee, Babel, which ably depicts actual human life at the U.S./Mexican border and the actual misunderstandings that swirl around lives there. Or maybe you should read up on the blatantly illegal and dishonest maneuvering Polk used to kick off the Mexican-American war that make Dubya and Company look -- well, if not better, than at least like they weren't the first to have the idea that they could just use the military to do whatever they want, no matter how many innocents were murdered in the process. Maybe you could even spare a thought or two for the entirely overlooked sexism in the fact that "son-of-a-bitch" is a go-to insult in the first place, in many languages. 

Or...you could just go on Twitter and ascribe the world's problems to Sean Penn. Sean Penn. 

Saturday, January 03, 2015

"War and peace?"
-- Radar O'Reilly


I do believe the time is here. This is the year to re-read War and Peace. Who's with me?

Why now, you ask? Careful readers will note that I first began reading The Book, as I like to call it, that magical Russian novel that lives up to all its promise of literary glory, in 2005. (In fact, it's what prompted me to start my Literary Supplement blog in December of that year.)(Have you actually looked at the URL of my Literary Supplement blog?) And now it's 2015. (CANYOUBELIEVEIT'SBEEN10YEARSSINCE2005?!! BECAUSEICAN'T.) It's been nearly a decade since I moved to Korea, started a blog, assumed my Linda Without Borders identity, and bought my treasured copy of War and Peace (not in that order, because I had bought the book at Borders -- which has since died, leaving us all Without Borders -- in Massachusetts well before leaving the country). Ten freakin' years, my friends.  Side note: we shall perhaps have to have a tenth blogiversary party this fall.  I have mentioned in the time since I read The Book that it is definitely a book to be reread over one's lifetime, since it's so goddamn wonderful and all, and naturally this reminds me of the random guy on the Boston Common who jabbered to me about Goodbye, Columbus. Remember him? Go on and click that link to refresh your memory, if you don't recall the encounter. I'll wait here.  ...  OK, all caught up? He was funny. And I still haven't watched Goodbye, Columbus.

(Is Ali McGraw going to annoy me in it as much as she did in Love Story? I mean, that is one overrated movie and her character was SO irritating! I hated that movie. "Love means never having to say you're sorry." Ugh, who thinks that? Who wants a relationship based on that? Good god. That is second only to "The customer is always right" as the emptiest platitude of crap that everyone repeats as if it speaks some profound truth. Blech.) (It does occur to me to wonder, though, whether the man on the Common jabbered to me because I reminded him of Ali somehow. I mean, she could play me in the movie of my life, right? Or the older version of me, anyway. What is she doing these days?  Maybe it was just her character that was annoying. Maybe I should give her the actress another chance, or read her book, or something. But not that horrible overrated Love Story again, no thanks.)

OK, so where were we? Right. War and Peace. Over the past almost-decade, I have cherished my memories of reading that novel, that quintessential novel of novels, that standard of bookdom, that ultimate literary fiction experience. I remember the excitement of plunging in, reading those first few pages of something SO big and famous and intriguing. I remember the cafe across from my job in Daegu where I would read for an hour or two each afternoon in between classes on my split shift days. I remember finishing it on the plane on the way back to the U.S.-- such interesting timing -- and then the random Eastern-European-who-spoke-Russian man next to me talking to me about it and me being utterly unable to form an answer to the immense question "So, how was it?"

And I'm inspired to reread it now because every ten years, why not, and also because at the bookstore here in Chicago where I attend my Women's Classics book group there is also another book group that is reading big books (called, would you believe it, the Big Books Group) and taking two or three months/meetings to discuss each one, so like they just did Middlemarch and are now doing Vanity Fair and in the spring will be doing, what else, the ol' War and Peace.

I'm starting to get a little bit giddy with the anticipation. (Even among all the other books and projects and reading plans I have for 2015.) Who wants to revisit The Book with me, or perhaps discover its joys for the first time?  Who's in?

Wednesday, December 10, 2014

This violence has been brought to you by the letters C, I, and A,
and by the number 1492

So, the Senate has released a "bombshell" report on the terror of torture, and what I have learned from it is that officials, talking heads, members of the voting public, and other assorted Earth citizens need to go back to preschool. My three-year-old niece is better at connecting dots than most people seem to be today. Kids, let's take a look at some dots that we can connect!

  • Dot 1: The CIA routinely tortured(s?) multiple suspects around the world with brutal tactics of systematic, and systemic, violence in a massive post-9/11 problem-solving effort. 
  • Dot 2: Police officers in the U.S. are found to be routinely shooting to kill unarmed black men in an effort to solve "problems" (such as fear of black men?), revealing more systemic violence. 
  • Dot 3: Young men and women are shipped off to wars/military operations/police actions around the world, many of them dying "for" their country, because -- you guessed it! War, also known as age-old systemic violence, solves problems! Right? 
  • Dot 4: Other young men and women die on the streets right at home, because why go abroad for gang warfare and gunfire when you can get some of the made-in-America kind? 
  • Dot 5: And why stick to gangs, when you can just be a lone shooter who takes out some teenage students in a cafeteria, or moviegoers in a theater, or shoppers in a mall, or kindergarteners in a classroom, who are progressing from connecting the dots and coloring into learning some problem-solving skills? 
  • Dot 6: You put birds and rabbits and ferrets and other animals in cages, because you have declared that they are "yours." You lock them up for life. They are alone and trapped. You call this "having a pet." 
  • Dot 7: You own all the land. You're entitled to it, and all the oil beneath it, because you earned it fair and square, by slaughtering all the Native American peoples who lived on it and anyone else who was in your way. 
  • Dot 8: Slavery.
  • Dot 9: Rape.
  • Dot 10: You think Homeland is a good show. 
  • Dot 11: Oh, that last was too much for you, huh? Real systemic violence is one thing, but don't mess with your shoddily written fantasies about global domination? To a guy with a hammer, every problem looks like a nail. To an enhanced interrogator, perhaps every problem looks like a will to be broken. To a violent system, every problem is something to "solve" violently, and the best the system can hope for is that every industry falls in line to feed the beast, from manufacturing to entertainment, from lobbying to factory farming. God bless that! Homeland might not be actually hurting anyone (unless you count the strain from all the eye-rolling at its scripts, plot lines, and characters), but will it make you feel good about yourself and beef up your arguments the next time you and a friend debate torture over a couple of beers? Wait, you say you don't question the CIA's systemic violence when talking with your friends over a couple of beers? Because that would be too "political"?  I see. 
Really, my niece might be persuaded to lend you one of her coloring books, if you ask her nicely.

Sunday, October 05, 2014

Poznan, or
Go west, young/old Poland traveler

It seems that most travelers to Poland start with Krakow, Warsaw, and Gdansk. That's fine, of course, but they also tend to end there.
I hereby urge you, in the paraphrased words of my least favorite White House occupier of all time, "Don't forget Poznan!"

Poland has a really interesting history. Of course, I've been aggressively reading stuff from and about Poland in preparation for this Habitat trip, but I've found it worthwhile to explore, whether you think you have a reason to be interested in Poland or not. Interestingly, as the trip approached, I happened to be on FDR in my read-a-bio-of-every-president-in-order project, so I had tons of context for all the WWII  and pre-war history, and I also happened to have Holocaust- themed novels on tap by Styron and Amis in my A-to-Z project further reading, so I've been drowning in Auschwitz, which, frankly, I recommend. I mean, I recommend visiting there, and doing a ton of reading to attempt to grapple with it, because grappling with it is tough. But also, the preceding centuries of Poland history are equally fascinating and relevant to world history.

Poznan old market square, which around here we call a Stary Rynek
In some ways, Poland is like good ol' Korea, sandwiched between powerful and/or power- hungry empires that have invaded/occupied/partitioned/oppressed it over the years, but both Korea and Poland have managed to maintain their identity, culture, and language. Good job, guys.

Poznan is a very interesting prism through which to view all this. It has more of a German influence than Warsaw and eastern Poland, and it has a certain proudly-of-German-heritage-but-totally-Polish population and more people with German last names, but also it was the site of an insistent uprising in 1918, when independent Poland was being reestablished after many years, when the Treaty of Versailles hadn't done enough, and Wielkopolska was like,  Dude, we are Poland! Don't go putting us in Germany!

And for good reason, because this is basically where Poland started back in the day, by which I mean 1,000 years ago.
Where the goats do their thing
 Krakow is an old, pre-Warsaw capital, but if you want the site of the first stuff, the first cathedrals, the first dukes' and kings' hangouts, you need to check out Poznan (and nearby Gniezno).

And check out Poznan we did. Our guide, Simon, led us on a seven-hour walking tour. Highlights include:
*The old market square, bombed in the war of course, but restored and super cute
*The goats in the clock tower who fight when the clock strikes noon-- no, they're not real. They're a fun mechanical recreation of the two legendary goats who escaped being the meal at a royal feast
*A big ol' church built by the Jesuits in mega baroque gold and fake gold splendour
*Cathedral island, where even now, centuries-old secrets continue to be revealed
*St. Martin croissants, totally a thing in Poznan, which we learned to make in a very funny interactive show/demonstration that happened to end with me winning an extra croissant for coming closest to guessing the weight in grams of the croissant that we as a group made. Actually, the weight was between what I said and what another audience member said, but by The Price Is Right rules I win because the other person overbid.
I won!

*An imaginative and high tech experience at a museum that uses audio, visual, films, holograms, models, and more to explore Poznan history

And later, our new friend Piotr, the young Polish construction supervisor
A noble Poznan cat
on our work site who has lived in Poznan for seven years, showed us a night out on the town. Have I mentioned that there is a lot of beer in Poland?

Here's to another great millennium, Poznan!


Tuesday, August 05, 2014

What do I want to know and when do I want to know it?

My questions for the world today are simply:

1. How do I get on all these e-mailing lists? How does it happen? Total unsubscribe party happening.

2. Why do you think it's better to start the school year in early August than to start it in September like normal people? (This one directed at Arizona.)

3. How many deaths will it take 'til they know/that too many people have died? (I didn't make that one up. But I would like the answer.)

Those are my questions.

Meanwhile, in the hoopla over the 40th anniversary of Richard Nixon's resignation, let's not forget that this means it's also the anniversary of my boy Gerald Ford's ascension to the throne. What a great time to be in the G-Rap (area)!

Friday, July 18, 2014

When will we ever get a clue?

In the immortal words of Colonel Mustard, "WHY are you shooting that thing at us? I could have been killed! I can't take any more scares..."  (At which point the spinning chandelier crashes to the ground right behind him...)

Pretty rough listening to the news the last 48 hours or so. First, Gaza. I sat there at the dining room table while the photographer who took the picture of the man carrying the dead boy described the scene, and there was much hand-wringing and somber outrage from various media at the idea of dropping bombs on children who were running away from where the strike a minute or so earlier had hit.

Next up, a Malaysian Airlines plane -- that poor airline -- that was shot down over Ukraine by perhaps Russian-led rebels, and there was much weeping and wailing and gnashing of teeth over the shooting down of a commercial airliner, and today there is the added weeping and wailing and gnashing of teeth regarding whether the plane should have been flying over this particular space, which some commercial airlines had apparently deemed too dangerous, etc.

What's that old saying--something about a forest and trees?  What's that other old saying--something about noses and faces and how plain they are?  In other words, why can't you people see?

If it's horrible and wrong to drop bombs that kill four boys running on the beach -- and it is! it is! -- then perhaps one ought to think about the father who finds his 18- or 19- or 20-year-old son's body, or, more likely, the flag-draped coffin containing his son's body, which has been blown to smithereens?

If it's horrible and wrong to be shot out of the sky when you are experiencing the amazing modern phenomenon of commercial flight, then maybe, just maybe, it's a terrible idea to shoot down anyone's plane, anywhere, ever.

It may just be that acts of war, you see, are horrible and wrong. Here are all of these innocents teaching us this lesson--indeed, they have given their lives--and yet, you still can't see.

"When will they ever learn?
When will they ever learn."

Friday, May 30, 2014

Right many a nipperkin!
Or, how quaint and curious war is...

Another Memorial Day has come and gone, and as usual I was saddened by the outpouring of gratitude for those who have "served our country" in the armed forces when the expressions of gratitude accepted war as a matter of course, as something that will never change.

Obviously, a species (humanity) that enjoys warfare so much won't ever change without beginning by thinking about how to change. Rarely do people think about how war can be eradicated; instead, they tend to start with the premise that war is inevitable and then go from there into how they think we "should" conduct ourselves in this state of inevitability.

I can certainly understand the sentiments and pragmatism that lead someone to want to be prepared for things. But I find it troubling when the larger idea is meant only with this insistence on pragmatism that refuses to reject the violence or call a spade a spade.

No one wants to be kidnapped. As a child, I learned about "stranger danger," I was taught not to accept a ride from someone I didn't know, I was taught about safety, my mom knew which friends I was playing with, I had to be home by a certain time,  I knew that I should scream or fight or run or put my bicycle between me and the attacker...all sorts of scenarios were met in my 8- or 9-year-old head with a plan as to what I should do if I met with this imagined potential kidnapper.

No one would have ever been so absurd as to suggest that kidnapping was not completely and totally evil, wrong, immoral, sinful, depraved, wicked, whatever word you want to use. Kidnapping = bad. Kidnapping should not exist.

I don't understand why when I mention that war is evil and should not exist, I am forever met with the argument that war is inevitable, so we should thank the soldiers who fight. It completely fails to address the philosophical issue at hand. Unlike kidnapping, apparently not everyone has yet decided that war is evil, and that is what I'm talking about when I say war is evil.

This happened, as usual, on Memorial Day. From what I can tell, it's nationalism that provokes it, and this may be the largest part of the disconnect. For example, when I post on Facebook about how absurd it is to ask some young man or woman to be slaughtered in order to make rich and powerful business leaders and politicians (especially arms manufacturers, let alone oil magnates) richer and more powerful, even the most "anti-war" touchy feely hippies among my Fb "friends" chime in with arguments about how "our" freedom hasn't been threatened in our lifetimes, that "we" have been the aggressors ever since WWII, etc.  All this does is fixate on the lines in the sand that make up our nation states. (As if only nation states ever engage in warfare.)

When I cite Wilfred Owen's poem "Dulce et Decorum Est," it's meant to remind you that it is a vicious lie to tell someone they should be honored to die for their country. It's a crock of shit to tell someone that being torn apart by bullets or having your life forever scarred by the trauma of battle is glorious because it was for [insert country name here]. When so-called anti-war folk in the U.S. chorus their "agreement" with the idea that "Yeah, no one's really dying for their country! They're dying for oil! We're being the aggressors! They're attacking! Our politics are wrong!" and so forth, there's an implication that it would be OK if we were really sending 18-year-olds to die for their country. Some have even come out and said that: WWII was "necessary," they say, to defend our nation, so in that case our boys were really dying for our freedom! etc.

What this really means is you have zero other ideas for solving problems--and fail to recognize that WWII didn't come out of nowhere. International politics don't happen in a vacuum. Years and years of choices led to WWII, just as with any other war.  And I respectfully disagree that asking anyone to die "for" their country is any better than asking them to die "for" their country's economy, rampaging electric grid, or politicians.

...If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,--
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.
      -- Wilfred Owen

Is it because people are so easily deceived that those from another nation are so different that they could really be "enemies" by virtue of their passports? There is no nation on Earth that is my "enemy." This has already been covered in poetry, too: if the German and English soldiers met up in a bar, they'd joke and drink and swap stories, but on the battlefield they're expected to shoot each other to death. It's absurd. Why can't everyone see that it's absurd?

In some way, the Bush-Cheney-Rumsfeld trifecta of supreme evil may have at least got this part right; rather than trying the traditional nonsense that this or that nation was the U.S.'s "enemy" they just declared a war on "terror," because they perhaps knew that people in the global economy internet age are, we can only hope, getting to know more and more people from and getting more and more economically involved with other nations, which could lead to them being resistant to suddenly having to shoot and bomb those people to keep Boeing or the Saudi royal family in business. We cannot reach the day soon enough when every nation looks on every other nation with the kind of ironic friendship the U.S. and Canada share; a war between the U.S. and Canada has no place outside of a Saturday Night Live sketch.

The other large part of the disconnect seems to be in my questioning of the way we are constantly asked to revere the so-called "heroes" and the veterans who have served in armed conflict (and/or cruised through a war-zone free stint in the armed forces before going on to have their college/health care/retirement at age 40 paid for).  I can't for the life of me fathom how clapping for them in the airport or offering them a discount on their baseball game tickets or appetizers at some family restaurant is supposed to make up for the evils to which their own government has subjected them. But I can fathom exactly how this "hero" worship leads directly to more and more war. It creates an endless sanctification of the military, endowing returning vets and fighters in battle with a spiritual greatness (rather than acknowledging the real life desperation and adrenaline and fear and courage and physical effort and pain felt in those moments); it creates a culture of way-more-than-pragmatic acceptance of the concept of war; it blesses anyone who decides to join up to "defend freedom" when that is not even remotely what they will be doing; it pressures susceptible minds, minds that refuse to think critically, and even reasonable minds that simply want to do what is right into thinking that if they don't support soldiers, and they don't laud their acts out there (acts that involve war, aggressive military, atomic bombs, drones, the whole kit n' caboodle, if you will), then they the citizens are somehow at fault for daring to say "Hey, veteran -- no f------ way should you have been sent to war!"

Some people like to separate this in their minds. "I don't support the war, but I support the troops," they say, and then they have to fall all over themselves showing their "support" at parades or ball games or wherever.  I'd rather see you support the truth: that "supporting" the troops as people would mean calling off this nonsense immediately, and that supporting the seriously flawed military institutions of superpowers and empires (over the last many thousand years) just leads to more troops and superpowers and empires -- and death. As for war itself, this "ingenious" way humans have come up with of "solving" their problems? Of course that shouldn't be supported. It should be challenged at every turn.

One of the hardest (for me) misinterpretations of my thoughts this year came when someone suggested that I was failing to thank public servants who put their lives on the line because I was missing the reality that lives will be put on the line every day by police, firefighters, and many other professions, in addition to the military.

I would hasten to add: coal miners.

I am grateful every day for police officers and firefighters and other emergency responders. Not one of us who has ever flipped a light switch is grateful enough for coal miners. There is a difference between risking your life in the line of duty and having your life put on the line for you in this ridiculous "game" called war, where no lives are put on any line until the parties join together to enact their pathetic bloodbath. Why can't the world leaders (pretend) just go in a room with the board game Risk and play with green and plastic soldiers instead of wreaking real havoc all over the world with real people, real families, real lives, real torn flesh and real spurting blood?

This isn't about the U.S. military (although I'd love to see such a powerful country set a good example by putting its many resources, financial and human and university-endowed and so on, to good use finding other ways to solve problems on a global scale), nor is it about the skill and achievement of an organized military operation or the ways members of the armed forces can step in when disaster strikes with aid, engineering, transportation, and other help as needed. By all means, let's have a force ready to serve in times of emergency around the world. Let's have people trained to react, strategize, and defend against attack (like a kung fu fighter would also be able to do). Let's deploy ditch-diggers, nurses, teachers, builders, and other workers all over the planet. Let's march boldly toward every child dying of hunger or suffering from abuse and violence (including in our own towns where we live) and try to create solutions to those problems. If the U.S. or any other nation or empire wants to organize its young and able as well as a few old and curmudgeonly (I believe they're called "generals") in squadrons to rescue and create and serve, go for it.

But for god's sake, let's stop with this ridiculous notion that war is ever "okay."