Completed Cateogry: Best Picture

 Oscars Day is here! 
Everything is terrible in current events - but we still have the Oscars.
(Which also have some terrible things happening.) 

Best Picture

Anora
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Emilia Perez
I'm Still Here
Nickel Boys
The Substance
Wicked

Remember: The interesting thing about the Best Picture race, nowadays, is that in the era of the preferential ballot voting (aka ranked choice voting), anything can happen!  And if your movie gets a lot of second, third, and fourth place votes, that can help you more than getting a bunch of first and last place votes. 

If I were a Best Picture ballot-wielding Academy member voting today, I... would be late, first of all, as voting has already closed.  But if I were a Best Picture ballot-wielding Academy member voting on time two weeks ago let's say, here is my ballot! 

Order I want them to win - and due to human psychology, affected by "knowing" other people will be voting for certain films: 
1.I'm Still Here   2.The Substance  3. Conclave  4. A Complete Unknown   5.Wicked   6.Dune: Part Two 7.Anora  8.The Brutalist 

not getting any votes on my ballot (because, simply, I don't want them to win Best Picture - I'm not actually saying there is nothing redeeming about the films. I'm saying I do not think either of them deserves to win Best Picture, and therefore I won't give them even my 9th or 10th place vote for Best Picture):  Nickel Boys, Emilia Perez

The five movies that I loved are in my top five spots, with a bit of playing with the order in which I loved them just a bit, to try to put my (fake) vote where it can do the most. My #1 and #2 choices here, are partly because I do NOT think either of those will be the first one eliminated. (I also loved them.)  When things start to get serious, I want Conclave to get my vote over Anora and The Brutalist, so I can't put that too far down. I'm sad that I don't think A Complete Unknown has a chance in this category, but I did love it, as I did Wicked, which has slightly more of a chance here of getting loads of second and third place votes.  Then spots 6 through 8 are simply the order I want them to have my vote. 

Order I think they will win: 
Anora  or Conclave- I'm still not sure which, The Brutalist,  I'm Still Here, Wicked, The Substance, A Complete Unknown, Emilia Perez, Dune Part Two, Nickel Boys   

Completed Category: Visual Effects

 It's my last completed category! I watched my last of this year's nominees today! 
I'm a #Completist. 

Visual Effects
Alien:Romulus
Better Man
Dune Part Two
Kingdom of the Planet of the Apes
Wicked 

Furthermore, the reason that the last movie I watched, today, was the last nominee I watched is because I additionally set a side quest for myself: to re-watch/watch ALL of the Planet of the Apes movies, starting with the 1968 Charlton Heston original, through the sequels, the remake, and the excellent reboots, ending with this year's nominee. And I did it!  I triumphed over Oscars season. I am a completist AND I did a side quest.  So many apes. I got really into these last few - which have also been nominated for Visual Effects, during years when I didn't complete all the nominees and had a few rogue leftover Makeup, Sound, Song, Visual or other random flicks still to watch. But this year, I decided to correct this situation, check off a few more past nominees, and why not just watch all ten Apes movies, eh? 

So: should Kingdom of the Planet of the Apes win Visual Effects?

Well, I mean, that would be fine. These reboots are so well done, with the motion capture and this wondrously imagined world. (I'm actually going to miss it, after being so devoted to my Apes for a few weeks here). 

But is it more likely that Dune: Part Two or Wicked will win this category?  Yes, I think so.  Dune: Part Two is gorgeous and a stunning achievement and I think everybody wants to give it some technical awards.  On the other hand, First Dune did win some a few years ago, and we also have another gorgeous achievement, Wicked, which everybody wants to give some awards, but then again, they know there will be a second Wicked, so ...?  It's confusing. 

Alien: Romulus also created a world although a lot of it was on a spaceship, and while it paid some fun homage to the original Alien flicks, it might just be an honor to be nominated. 

Better Man is the weird nominee here; it's a fancifully, inventively done biopic of Robbie Williams, who is far more famous in the U.K. than the U.S.A., and who is depicted in the entire film as a monkey. I cannot explain for the life of me why this works so well but it's really marvelous and quite enjoyable. It would be delightful and amusing if it wins over the big multiple-noms films. 

Order I want them to win: 
I don't even know. It's the end of Oscars season! I'm so tired. 

Order I think they will win: 
Dune: Part Two, Wicked, Kingdom of the Planet of the Apes, Better Man, Alien: Romulus 

Well - which Visual Effects nominee do you think is the best? 
The best film overall? The best technical achievement? Both? 

And, are you a #completist? 

Completed Category: Documentary Feature

My second-to-last completed category!  One more nominee to see after this. 

Documentary Feature Film
Black Box Diaries
No Other Land
Porcelain War
Soundtrack To A Coup d'Etat
Sugarcane

Let me just say, once again, that whether a documentary is interesting or good is not based on the topic.

 There can be an amazing documentary about a subject in which I have no interest that has me riveted. Or, the opposite: a topic I would love to know more about can be covered in a terrible documentary, making for an excruciating 2.5 hours, such as is the case with Soundtrack To A Coup d'Etat.  Holy cow is this a boring look at the mid-twentieth century tragic and murderous foreign policy of Belgium and the U.S., and political shenanigans in the Congo, up to and including the murder of Patrice Lumumba. I am deeply interested in this history! This documentary bored me immensely. Also, it was irritating. There's this whole jazz motif going on, and it drove me straight up a wall.  I really don't like jazz and I'm pretty sure that's related to how much I hate this film.  The film is constructed of various jazz music that is sometimes lyrically appropriate and sometimes relevant because the film at that time is talking about when Louis Armstrong or whoever traveled to Africa at that time -- so many layers, like a piece of jazz music, right?  Ugh. It was awful. There were actually close-ups of people singing where you could see their saliva - gross, shudder.  And the shots of Dizzy Gillespie's puffy cheeks gave me the fantods. Now, on the other hand, the frequent clips of Malcolm X talking were by far a highlight of this film - more of that, please. Less of everything else.  Side note: this is not solely about "We Didn't Start the Fire" (Belgians in the Congo!) but also a fair bit of Car 54 Where Are You?  (Khrushchev's due at Idlewild!) 

Anyway. Onto the four good documentaries! 

Black Box Diaries - haunting, stunning achievement, quite personal while being globally relevant, as one woman documents her pursuit of justice in the aftermath of a sexual assault. Why are men. 

No Other Land -  depressing, infuriating look at oppressively macho Israeli military posturing over a bit of land that they would like to forbid Palestinians to live on, for no discernible reason.  

Porcelain War - still more depressing stuff, with art and nature and beauty struggling to keep their heads above the mass of violent warfare that is the Russian invasion of and war in Ukraine.  

Sugarcane -  another personal depiction that meanders through major trauma and its effects years and decades later on the survivors of "Indian schools" in Canada as well as on their descendants. I really thought this was well done, with the weaving of one personal search for healing amid the wider community and even world search for healing related to this horrible bit of history. 

There is really only one that I can't bear to see win, but my order in which I'd like to see them win:  Sugarcane, Black Box Diaries, Porcelain War  (really, any of those three!), then No Other Land

Order in which I think they'll win: 
Maybe Porcelain War? Or Black Box Diaries.  I might like Sugarcane more than some other people do, but I did notice Lily Gladstone's name as an Executive Producer, which probably means she'll have  successfully campaigned it to some extent.  No Other Land probably won't work for some people. I don't know who votes for Soundtrack to a Coup d'Etat ... Steely Dan fans? Overwrought fever dreaming men? I don't know. 

Which documentary did you think was the best? 

Completed Category: International Feature

I greatly enjoy foreign films. One of my favorite categories! 

International Feature Film
Flow
Emilia Perez
The Seed of the Sacred Fig
I'm Still Here
The Girl With The Needle

This year? Not easy, my friends. 

There are four incredible cinematic accomplishments and one travesty of a nomination. I do not see how any member of this or any other Academy who watches all five of these could even consider voting for the abject mess that is Emilia Perez.

Flow is a sweet little cat film 🐈‍⬛️ and misfit friends story with no dialogue and lots of struggles and success, as we have mentioned elsewhere. Welcome to this party,  Latvia! If Flow loses both here and in Animated, I'll be devastated.

The Seed of the Sacred Fig is such a well-done look at Iran; it skillfully incorporates real-life videos of protests from recent years while placing you into this family's little world, then creating tension that sneaks up on you and builds to a fever pitch. 

I'm Still Here, also nominated for Actress in a Leading Role (Fernanda Torres) and freaking Best Picture is incredible - except that it depicts a true Brazil story - and I've not felt sadder in some time than I did after watching this loving family experience man-made tragedy. 

And then last night I watched The Girl With The Needle, which is a slow burn but then dear gods will it mess you up. There are so many questions to contemplate about these characters and their choices. What should we do, what can we do, why are men, why are humans, why any of it? Go see it knowing absolutely nothing! Other than: humans, poverty, Denmark, war, devastation, black and white -- the film, not life choices. But prepare for heart palpitations. 

Order I want them to win:  Any of the three, seriously. Maybe Seed of the Sacred Fig, I'm Still Here, The Girl With The Needle. Next Flow only because it better freaking be winning Animated. And then a giant huge gap bigger than sixty- four Grand Canyons, and then gtfo E.P.

Order I think they will win:
I'm Still Here maybe possibly please. Then stupid freaking E. Perez because humans are the worst. Then the others... although if the voters have the sense the gods gave a goose then they'll do the right thing here. Which is to say, do anything but the worst thing. 

Completed Category: Live Action Shorts

I headed down to my local cinema to finish off the Shorts today. 

Live Action Short Film
A Lien
Anuja 
I'm Not A Robot
The Last Ranger
The Man Who Could Not Remain Silent 

Three of these are available for you to watch online, which I did do over the past few weeks, and that's great because then when I go to the theatre to catch the others, during the ones I've already seen I can either re-watch, or I can go get my popcorn refill! 

This is definitely one of the years that I prefer the Live Action Shorts to the Animated Shorts.  They are  all a little depressing, though.  Why are humans?  I do continue to ask this question.  Also, there were a couple of my fellow moviegoers chatting in the lobby afterwards who were flummoxed by how these Shorts left things unresolved at the end.  It's a fair point; it was very Lady-or-the-Tiger-esque up in the Live Action Shorts.  At any rate, issues presented include: immigration/deportation/removal by ICE, child labor/opportunity for education, authoritarian regimes on the verge of genocide, humanity vs. robots, and the murder of innocent animals by poachers for their tusks & horns so that some horrible men can get rich and or feel more "virile" and strong.  #WHYAreMen, seriously.  

Order I want them to win: 
The Last Ranger, The Man Who Could Not Remain Silent, honestly this is so hard, I won't be mad if any of them win, maybe Anuja-A Lien then I'm Not A Robot? This is not to really take anything away from I'm Not A Robot. This category might be the least dud-ly of all the categories.

Order I think they will win: 
Wow I really don't know. They're all so timely. I'd like some others to weigh in here! 
But maybe A Lien (timely) or The Last Ranger (infuriating but galvanizing)? , The Man Who Could Not Remain Silent -- so timely -- then I'm Not A Robot (also so timely) and Anuja?  Dude, I don't know. 

What do you think? 

 

Checking In With One Week To Go

As of 1:30 pm on Sunday (Feb 23) one week before the Oscars, here's where I am: 

I have four more categories to complete. 
* Live Action Shorts
* International Feature Film 
* Documentary Feature Film 
* Visual Effects 

I have completed: 
Documentary Shorts, Animated Shorts, Animated Feature
Lead Actress, Lead Actor, Supporting Actor, Supporting Actress  
Directing, Adapted Screenplay, Original Screenplay
Cinematography, Editing, Production Design 
Makeup & Hairstyling, Costume Design 
Sound, Original Song, Original Score
and Best Picture 

So far I have mixed feelings about a lot of the categories, but especially the Acting awards, because there is such egregious category fraud going on in the Supporting races, and it's all but a foregone conclusion that the fraudulent will win. It's so annoying. 

The Documentary Features (I have one left) and Documentary Shorts, as in so many years, are amazing, and devastating. 

Speaking of brutal things, I do still think The Brutalist will win stuff. Will it win all the stuff?  Will it triumph over buzz-a-licious Anora?  Can The Substance sneak in and win a few things -- and will it definitely win for Actress (Demi Moore) and  Makeup?  Will Wicked get a slew of well-deserved visual and technical awards or will the wealth be spread around?  Could we have a blessedly Emilia Perez-free evening?  How amazing would that be. A step toward making up for the EEAAO year we recently suffered through. 

And will we ever know why there are so many monkeys? 

By the way, I launched myself on an additional project during this year's Oscar viewing. Kingdom of the Planet of the Apes is nominated for Visual Effects. Now, the last few Apes reboots have also been so nominated, but I wasn't able to be a completist in those years, and in my non-completist years it's often been a few rogue Makeup, Song, or Visual Effects nominees that are the ones lacking and I have not watched any of the reboot series. This year, I knew I'd be a completist, which would entail watching Kingdom...Apes, and so I decided a few weeks ago to watch all of the Planet of the Apes movies -- all of them.  Starting with a re-watch of the original 1968 Planet of the Apes that I saw in my childhood. And that has been my side quest, in between watching this year's nominated flicks.  During the past months I have re-watched or watched all five of the original series (some are far worse than others) and am now catching up on the modern ones, and will end with Kingdom...  thus completing both my Apes side quest and my Oscar-nominated 2024 films main quest later this week, if all goes according to plan and the world doesn't, like, collapse in the next few days or anything. 

So, coming up this week will be: 
Four more completed categories
Best Picture (which is done, but have to save that category post for last) 
Perhaps a ranking of all the nominated films
Perhaps another edition of Who Wore It Better? 

Enjoy the last week of Oscar season! 

Completed Category: Costume Design

I actively like so much of what's going on this category! 

Costume Design
A Complete Unknown 
Conclave
Gladiator II
Nosferatu
Wicked

Look. I love Wicked. I love it, and I said when I watched it that I wanted it to win everything it's nominated for. And that's still mostly true, other than the fact that Ariana is category fraud supreme and I just can't even but the odds-on favorite Zoe is also fraudulent, and for a disaster of a film, so it might as well be Ariana, but anyway the point is yes I would be happy for wonderful, creative, gorgeous, inspiring Wicked to win for Costume Design. 

But. I would also be just fine, it turns out, with Gladiator II winning in this category. !  No seriously though, Emma the Cat and I just watched it this week during our little winter vacation ski trip and boy were we riveted. The costumes are so beautiful, and so detailed, and so MANY.  I was super into revisiting the Gladiator world and I think I kind of like sequels that leave 20 years in between more than every-couple-of-year sequels. There is so much delicious craziness in this flick, with Denzel, and the loony twin emperors, and a billion soldiers, and it's all exquisite. And this is the only nom that the film got. We might have to take this one away from Wicked, y'all. What do you say? 

I really don't think the others have a chance.  Conclave would if it was on its way to a sweep - remember, people really thought Conclave was going to be our Best Picture for a while - but that ship seems to have sailed.  The cardinals' get-ups are gorgeous and fit for each one of the characters specifically but it's still less of an Achievement in Costume Design than either Gladiator II  or  Wicked. 

Nosferatu might be able to pull this off just because it's so fanciful, unreal, and set long ago & far away.  (But then - so are Wicked  and Gladiator.) 

 A Complete Unknown  is honored to be nominated. The most recently set AND most relatable and realist  of the Costume nominees is almost never the winner. Conclave is more recent but isn't a period piece, and its world is removed from us regular folks (even us Newport Folk Festival-playing regular folks), but even it I think doesn't really have as much of a chance. 

Order I want them to win: 
Gladiator II, Wicked, Conclave, A Complete Unknown, Nosferatu 

Order I think they will win: 
Wicked, Gladiator II, Nosferatu, Conclave, A Complete Unknown 

Completed Category: Original Screenplay

I love to think about the Screenplay categories! In fact, I want one of my next checklist projects to be: Watch All the Nominated Screenplay Films Ever.  That will take a while. In the meantime, this year: 

Original Screenplay
ANORA
Written by Sean Baker
THE BRUTALIST
Written by Brady Corbet, Mona Fastvold
A REAL PAIN
Written by Jesse Eisenberg
SEPTEMBER 5
Written by Moritz Binder, Tim Fehlbaum; Co-Written by Alex David
THE SUBSTANCE
Written by Coralie Fargeat

I only just this week completed this category because I had September 5 lingering for a while simply because #IAmVeryBusy and also I knew it was easily available to rent on demand as opposed to some others in which one must still be in pursuit* and so I knew I'd get around to it as soon as I could get around to it. 

*This year, we're looking in pursuit at you, Porcelain War. And with Ukraine having become a daily news story this week, at that! Every damn year, we are forced to go through this with one or two nominated flicks - a refusal by the distributor to, ya know, distribute the film during the two months between Oscar nominations and Oscar ceremony. It's so fckng stupid, every damn year. It's like - "Hi! We want to give you our money! Please take it in exchange for a streaming rental  of your film!"   "No."  "OK well, could you have it play in theatres across the country/world?"  "No."  "Hmm, well, we really want to see it? Can we please? Remember, we are trying to pay you for this. Money for your film! Isn't that what you wanted?"   "Why oh why is the film industry dying nobody goes to movies why oh why won't they see my film i weep i wail i gnash my teeth why oh why!"  "Um..er..." 

Anyway, that was a tangent about a totally different category. Back in Screenplay-land, September 5 is available, and I paid for a streaming rental and watched it! Amazing how that works! I enjoyed the movie and thought it was well done, everyone all tightly crammed in the control room and whatnot. I was also like, hey! I know her! about the actress playing translator and much more Marianne - not a real person, a composite character - as she starred in last year's International nominee The Teachers' Lounge.  Good for her, Oscar-ing it up two years in a row.  I think this screenplay fully and completely did its job, keeping you interested and invested, while laying out and guiding you through the story, but I am pretty sure it will not win, as people are heavily invested in voting for some of its competition. 

The Brutalist is going to get votes, in this and in other categories. I think it is going to get more votes in other categories.  First of all this thing is long and it pummels you, and I mean, as a story it's fine and all (if a little bit terribly intense) but its strengths are more so in the Directing, Cinematography, Score, and other elements of its pummeling you for four hours of your life.  We could possibly see it sweep all its nominations, but I don't think so. Don't worry, you're still the Brutal-est screenplay. 

Although I've gotta say, The Substance almost gives ya a run for yer money in the brutal department!  The Substance  is glorious and crazy and ridiculous and socio-philosophical and wonderful and I love it. That being said, the ending where it gets a little shaky (or splattery) before bringing it all home is its weakest point. I still love it and I forgive it all its flaws and won't mind even a tiny bit if it DOES win here - and it does have a chance - but I think we have to seriously reckon with the other two competing nominees. 

A Real Pain accurately describes its character played by Kieran Culkin, who is likely to win Supporting Actor for his co-starring lead role. This is a typically perfect kind of Screenplay winner: indie vibes, but famous people, and interesting content that raises some socio-political questions, and also fun. I personally related immensely to this film, because I too took a trip to Poland as an adult and met up with a group of other adults (on a Habitat for Humanity build) and then took a week by myself to go see my great-grandparents' hometown. So I was nostalgia-loving this in addition to being entertained by it. The only annoying thing about this film is its accurately described title (lead!) character, whom you want to throttle. Screenwriter (and co-star) Jesse Eisenberg just won the BAFTA, too, and had no speech written, he said, because he didn't think he would win. True? Maybe. A Real Pain had all the buzz for quite a while. What overtook it? 

A film that had even earlier buzz, then cooled a bit, but has surged back even more since nominations day: Anora. This thing is a well-done screenplay of misfit friends, another title character who comes into situations like a wrecking ball (but is met with other wrecking ball types who outdo her in that department), surprising scenarios, an ante that gets upped a few times, and the edginess that people love to love in their films. I personally walked away from Anora shaking my head and wondering #WhyAreMen, but the sex-work-is-work prostitution apologists will be out in droves making sure that question doesn't get too much attention to distract us from the feel-good train wreck of Anora. 

Order I want them to win: A Real Pain, September 5, The Substance, Anora or The Brutalist

Order I think they will win: Anora, A Real Pain, The Substance, then a gap and then The Brutalist, September 5. 

This is too close to call.  But I do think the bolder Anora might succeed here.
Which one do you think will win?